50mm

I’ve kept this exhibition pretty close to my chest thus far. I wasn’t sure how it was going to turn out. It’s a very large group art selling festival (for want of a better description) which I’ve somehow managed to get myself involved in.
Despite it having a very department store like feel I have to say I’m enjoying the experience. The range of people that travel past the exhibits every day is staggering.
The other thing that has completely knocked my socks off is the price of some of the work on display. The most expensive piece I found was over $500,000US so there is quite a price range to be had.
I have been lucky enough to be included as one of only 2 photographers to be exhibiting and Mitsukoshi is, for the first time, including photography in their art exhibition (so I guess I should be feeling privileged).

If you have any interest the event is on till the 18th located on the 7th floor of the main Mitsukoshi Nihonbashi store (Mitsukoshimae station on the Ginza line).

Shot at about 5:55am on the 1st Jan 2010 in Newcastle, NSW, Australia. Managed to wake up at 4 and leave at 4:20am. Never actually saw the sun but was lucky enough to get a bit of colour in the clouds before everything went a flat bright colour.
My next trip back there will be with a view to achieve something very different.

Words of advice from the inexperienced. Wash your negatives thoroughly and DON’T change the type of film you shoot unless you have experience with the new film you plan to use.
I’m a bit disappointed that I traveled thousands of kilometers to meet up with the family (which is hard considering everyone lives in a different state) and manage to destroy all my black and white film in an afternoon.
I shall, from this point, revert to my tried and trusted film stock and developers. Not that there is anything wrong with what I’ve just ruined. Just that I don’t want to have to spend more money learning the in’s and out’s of another stock when the current one already serves me well.

It’s nice to know some things take a long time to change.
Posting this while waiting for my film to be developed.
Picture from a small part of the biggest island in the world.

Little experiment. Faces of Tokyo on white.

So I have re launched the 50mm.jp website.
After a lot of playing around with different options I decided to keep pixelpost as the platform. Would have built it in wordpress but it was too difficult to make a seamless experience that handled images well, didn’t use flash, worked on the iphone and allowed you to track individual photo views on Google analytics.
The site does not contain all work I have done and I have not yet decided how I will approach the upload of new work but I’m hoping to keep it fresher than it has been in the recent past. If it (photo’s you have seen before by me) can’t be found on 50mm it could be located either on flickr or here. If there is an image you have seen that has gone missing please contact me and I’ll upload it to one of the 3 locations.
Any and all feedback more than welcome.

As so this is about where I am at the moment. The end of something and the beginning of something else. Here is hoping your journey from one thing to the next is an enriching one.

This shot is one I dug up from the archives again. To be featured in the upcoming update of the 50mm web site which hopefully should launch before the end of the year.

An afternoon off with the wife in the park in Autumn.

Mt. Mitake on the final leg of a rather good walk. Taken some time ago.

Sometimes you have to revisit the past to see if you missed anything. I think after a LONG hiatus I might be ready to revisit this genre. We’ll see. Anyway, was a bit of fun to hang with the lads and shoot a few pictures.

I tell you I’m a bit hacked off with this Ektar 100 film. This is the 2nd roll I’ve shot of the stuff and this time I pushed it 2 stops. Should be no issues given I push another neg film and have never had problems. I have, however, had issues with getting Ektar developed at Horiuchi Color before. SO, this time I figured I’d go to the source and get it done at Kodak. Well, the bloody neg has blotches all over it. Spend a good 20 mins touching the crap out of it to make it look half ok. The OTHER issue is that they decided to charge me 1449 for ONE roll! And this is development only. I must say, I do like the colours I managed to squeeze out of the film but not if I’m going to get bent over a table on the price and they do a shoddy job of it to boot (the development not bending you over a table. That they are good at).
I think I’ll have to give Ektar a miss from this point on. Shame.

See his genius at work here -> Uchujin
While I was in the physical film archives the other day I found a few shots I forgot to scan. A case that so often happens to me “ah, not bad, I’ll do that one last”. As usual, I forget or run out of time.
Figured it would be nice to add to the rest of the shots considering everyone else got a look-in a while back on the blog.

This is what I love about old cameras and film. You can’t plan this type of old feeling you get from this type of combination. The random combination of film age, film type, developer, fix, fix age, fix duration, developer duration etc. etc. all add up to a look that makes film special. You can photoshop all you want but you’re not going to get the same happy accidents you do when you play with the real thing.

Too busy to go out make an effort to shoot anything. Easy B+W to bad had around home in the mornings.

Another archive shot while I work my way very slowly through a roll of film.

Shot taken from around here while on a bike ride around the mountains.
The Hasselblad is a bit heavy to lug around while trying to race up mountains so the Holga has become the substitute on rides. Can’t have great views and not shoot medium format!

Thanks to Manny Santiago for the REALLY old expired (march 2000) Fuji once again.

Caught him early one evening on the way home.

Man reads a morning newspaper. Caught on the edge of the frame with the Rolleiflex as I went to work.

Clemens shot in yoyogi.