Making of Daguerreotype by Takashi Arai from Takashi Arai on Vimeo.
I’ve just returned home from work and I’ve checked Uchujin’s tweet of the making of a Daguerreotype. Started watching it and was really impressed by the amount of work, preparation and tools needed to create one.
And I thought regular development was a challenge.
Another shot from the many many yet to be published shots.
Normally I don’t post these kinds of snap shots but I need an easy way for a few friends to find the odd snaps I take. My mate Oleg was over from the Ukraine and Citt is about to leave our little team where I work as well as Stephan I guess soon too. So I figured I’d better shoot them all together before everyone runs off to new adventures. So I vow to shoot them all again at some stage, just maybe not all at once.
hmm. I just realized that I feature somewhere in here by accident.
I was looking at my archive today and found this shot hidden away. Sometimes it take a year or two for me to finally see something in a shot. In this case it was not the foreground at all but the background craziness I had ignored up till now. Shame there is not more interest but still, I quite like the painterly feel.
It’s an old shot that I guess I’m re posting. Shot late afternoon near my house at the park with a Rolleiflex and a Rollinar 2. (more…)
This is one of my failed kodak T64 shots that needed a LOT of contrast to give it any kind of personality. Not having a lot of luck with these 20+ year old films 
So the sharp eye will notice that the book is not covered nor is the regular shape of a Japanese novel. The guy reads English! It’s the little thing’s like this that make the train journey interesting (for the most part).
The almost failed B+W shot on my last adventure to Kawasaki. Gotta go back soon.
So I’m looking for faces to shoot. I will be shooting in black and white with film so the image above is not really true to what I am trying to achieve. (more…)
Asked this guy if I could take his picture. Still like the contax lenses even if it is non square. Shame I can use the lenses on anything else.
Clemens shot with this camera at THE BAR on Friday within the last year or so.
Late afternoon down the street.
The 14 to 35 crowd seems to do it a lot but the over 50′s? Nice to know the subway is stable enough for her to take care of fine details without getting battered around by the moving car.
Shinjuku station, about 12am. Rain is starting to fall and he’s…
A recent comment on a Tokyo Tower photo I took a while back prompted me to write this post.
I shot the photo with a early 1900′s Kodak Autographic Brownie no.2 using a Fuji Polaroid back. The camera originally took a different kind of film that is no longer made. After checking the camera I thought I might be able to get away with using 120 film but could not work out a way to modify the original camera back without destroying it. And given the camera is actually not mine and kind of on permanent loan I figured that would not be a good idea.
So I though perhaps I could connect a Polaroid back to it.
After checking the size of my Hasselblad back with the camera it looked like the idea was going to work. But I needed to find a back that did not have a little window (like the Hasselblad or Mamiya) but had the film area fully exposed when the dark slide was out. A trip to the local camera store immediately paid off. I found myself a Fuji back in the junk bin for ¥525 which was quite lucky because I didn’t want this little test to cost me and end in failure.
I figured the easiest way to connect the back to the body would be with electrical tape and that once I had proved it would work I’d figure out a more permanent solution.
After reading on line and discovering that the aperture would be around f/9 at it”s widest I took a shot and hoped for the best. The image you see above is the result I got. I was quite surprised at how the image turned out.
You will see from the other images below how I modified the camera and the controls it offers. F/9, f/19, f/22. T, B, 25th, and 50th of a second shutter. And a viewfinder that is very cool and at the same time very hard to use.
Feel free to share your old camera mod stories in the comments area below.
I had met this bunch a week before. They had these amazing bikes. And at the time I had B+W film in my camera. I rewound it and stuck in some colour (still yet to be developed!) and shot some frames. I thought these guy’s would be a great story for my mate Skorj so I asked them if they were around the area much. They said they were in Shibuya every Friday so I said casually that I would be back next week with my mate. He usually shoots for a few foreign bike magazines and I figured it would be a good match. In the process of trying to reach Skorj and arrange him to shoot these bike guy’s I discovered I had somehow given them the impression that this would be a full blown shoot for a big magazine (There was definitely a good bit of imagination being used by the bike guy’s at this point). The next Friday came around and Skorj was busy. I sent a mail to them explaining it was off and they called me up and got all pissed off. Joy! So, rather than giving up and making enemies of them I explained that while my mate could not make it, I could shoot them then try to get them onto a CNN site. At worst they would have a set of nice pics and at best they would appear on an international website.
That night, the usual bunch of photographer friends were turning up to the usual drinking hole about the time I was due to shoot the bikes and I was loathed to meet up with them because I knew I would have to explain my early exit and all the gear I was carrying and I know these guy’s are all like Vultures when it comes a shoot and would basically take over and claim the entire plan as their own. Lucky for me everyone was feeling semi respectful and didn’t completely take over what I had organized. And, as it happens it was good thing a few of them came along. Brian and Eiichi were there to lend a hand with interviewing the guy’s which was really lucky cause had they not done that and also been kind enough to send me the recordings / notes I could not have written the little story for CNNGO.
So, all the drama kind of paid off in the end.
So just for fun I asked several people, including my friend Stephan, for a photo. I usually use the Hasselblad and have tweaked my settings so I can use the 80mm lens to take close-up head shots. I was, however, surprised to see the result when I developed the film. I wasn’t expecting him to look so different. And I always thought that the 80mm lens on the Hasselblad was a 50mm equivalent on a 35mm SLR. What a difference a lens and a bit of fiddling with the settings makes. Stephan prefers the digital shot. Probably because of how different the lens makes his face look. I actually like it more. Most likely because it’s difficult to replicate the look. In any case I’m surprised to see how well the film version turned out when putting it side by side with the digital one. More of these to come.
