So I managed to visit the Fragments of Tokyo exhibition at M Place in Shinjuku Gyoenmae and have to say I was impressed. Four very different styles of photography and each with a wonderful and different perspective of Tokyo.
If you missed it you’ll have to bug them to put on another show. Below is each members flickr stream although to really do any of these pictures justice you need to see them printed. It was really a different and exciting experience to see them printed and presented as a series. Congratulations to the four of you.
Shot at about 5:55am on the 1st Jan 2010 in Newcastle, NSW, Australia. Managed to wake up at 4 and leave at 4:20am. Never actually saw the sun but was lucky enough to get a bit of colour in the clouds before everything went a flat bright colour.
My next trip back there will be with a view to achieve something very different.
Words of advice from the inexperienced. Wash your negatives thoroughly and DON’T change the type of film you shoot unless you have experience with the new film you plan to use.
I’m a bit disappointed that I traveled thousands of kilometers to meet up with the family (which is hard considering everyone lives in a different state) and manage to destroy all my black and white film in an afternoon.
I shall, from this point, revert to my tried and trusted film stock and developers. Not that there is anything wrong with what I’ve just ruined. Just that I don’t want to have to spend more money learning the in’s and out’s of another stock when the current one already serves me well.
So I have re launched the 50mm.jp website.
After a lot of playing around with different options I decided to keep pixelpost as the platform. Would have built it in wordpress but it was too difficult to make a seamless experience that handled images well, didn’t use flash, worked on the iphone and allowed you to track individual photo views on Google analytics.
The site does not contain all work I have done and I have not yet decided how I will approach the upload of new work but I’m hoping to keep it fresher than it has been in the recent past. If it (photo’s you have seen before by me) can’t be found on 50mm it could be located either on flickr or here. If there is an image you have seen that has gone missing please contact me and I’ll upload it to one of the 3 locations.
Any and all feedback more than welcome.
I tell you I’m a bit hacked off with this Ektar 100 film. This is the 2nd roll I’ve shot of the stuff and this time I pushed it 2 stops. Should be no issues given I push another neg film and have never had problems. I have, however, had issues with getting Ektar developed at Horiuchi Color before. SO, this time I figured I’d go to the source and get it done at Kodak. Well, the bloody neg has blotches all over it. Spend a good 20 mins touching the crap out of it to make it look half ok. The OTHER issue is that they decided to charge me 1449 for ONE roll! And this is development only. I must say, I do like the colours I managed to squeeze out of the film but not if I’m going to get bent over a table on the price and they do a shoddy job of it to boot (the development not bending you over a table. That they are good at).
I think I’ll have to give Ektar a miss from this point on. Shame.
From an ongoing series that doesn’t seem to have a beginning or an end. This guy at first glanced looked drunk but after closer inspection seemed to have something else wrong with him.
This was taken at about 8:45am which, as you can see from the onlookers reaction, gained a bit of attention. He managed to get on the train and pass out again and then somehow remembered his station and got off only to pass out again on the platform.
Never a dull moment in Tokyo.