I was looking at my archive today and found this shot hidden away. Sometimes it take a year or two for me to finally see something in a shot. In this case it was not the foreground at all but the background craziness I had ignored up till now. Shame there is not more interest but still, I quite like the painterly feel.
The almost failed B+W shot on my last adventure to Kawasaki. Gotta go back soon.
One from an up coming collection
So just for fun I asked several people, including my friend Stephan, for a photo. I usually use the Hasselblad and have tweaked my settings so I can use the 80mm lens to take close-up head shots. I was, however, surprised to see the result when I developed the film. I wasn’t expecting him to look so different. And I always thought that the 80mm lens on the Hasselblad was a 50mm equivalent on a 35mm SLR. What a difference a lens and a bit of fiddling with the settings makes. Stephan prefers the digital shot. Probably because of how different the lens makes his face look. I actually like it more. Most likely because it’s difficult to replicate the look. In any case I’m surprised to see how well the film version turned out when putting it side by side with the digital one. More of these to come.
The second shot of the roll that I took with the Holga when I went to Nara. This was the only other shot that worked.
I have to say, I do enjoy the Holga’s randomness when it comes to focus, colours, tones etc. You’ve usually either got an instant hit or a complete failure.
This, I think was shot with Velvia 100.
So I finally finished the roll and got the film shots I took at Kawasaki developed. Here is the film vs digital.
I’m not sure if you can see it here (even at a large size) but the film appears to have more depth than the digital shot which just seems flat.
In any case I like the square format a lot more.
This past weekend I spent the day changing all my chemicals to new ones. My fix has now changed back to Kodak and is slightly more concentrated than before. The jars that hold the 1 gallon A and B solution needed to be scrubbed and chiseled at to remove the years of build up of gunk at the bottom.
As a result of all this work my negatives look amazingly clear. It’s easy to let quality slip as chemicals start to slowly die and it’s difficult to notice until it’s too late (or not at all in my case for a while).
In an effort to keep a balance between a holiday and taking photos I too my digital camera and a Holga to Nara. Using Brett’s trusty 1000 year old Velvia (that apparently had a speed range between 100 – 1000) I managed to squeeze about 3 semi usable shots out of the roll (not the films fault. Bloody f8 at 100 ASA!)
I’m happy with the result. For some reason I value this a lot more than the 500+ digital shots I took that I have not posted.
Another Friday night at the station
So I managed to visit the Fragments of Tokyo exhibition at M Place in Shinjuku Gyoenmae and have to say I was impressed. Four very different styles of photography and each with a wonderful and different perspective of Tokyo.
If you missed it you’ll have to bug them to put on another show. Below is each members flickr stream although to really do any of these pictures justice you need to see them printed. It was really a different and exciting experience to see them printed and presented as a series. Congratulations to the four of you.
Toshiya Watanabe
Dairou Koga
Thomas Orand
Jon Ellis
Shot at about 5:55am on the 1st Jan 2010 in Newcastle, NSW, Australia. Managed to wake up at 4 and leave at 4:20am. Never actually saw the sun but was lucky enough to get a bit of colour in the clouds before everything went a flat bright colour.
My next trip back there will be with a view to achieve something very different.
Edit: July 3 2010.
Click the picture for a bigger version.
For all of you searching for the location click here for the map
Tips: If you go early enough in the morning, ignore the no entry sign and drive right down to the hole. Otherwise it’s a real hike. Especially if you are trying to catch the sun. You should be in and out before anyone can catch you.
Go during a week day early. The locals like to turn up super early and swim or actually make it the last point of call after a night out. You won’t get any pictures then.
Be careful. The whole place is really slippery so take your time walking around.
The boats on the horizon you can’t do anything about. It’s a pain but if you don’t want them in your shot you’re going to have to pick your angles carefully.
If you want your picture to have any depth to it like the one above you should use film. Even if you have a pro DSLR (I own a canon 1d mark 3) you won’t get the depth and colour. And anyone who says “HDR” as a solution should be shot.
If you think you’ve taken a winner picture post a link to your shot in the comments. I’d love to take a look.
Someone should do a great B+W long exposure. But I bet I end up doing this before anyone else (no one likes B+W any more).
Words of advice from the inexperienced. Wash your negatives thoroughly and DON’T change the type of film you shoot unless you have experience with the new film you plan to use.
I’m a bit disappointed that I traveled thousands of kilometers to meet up with the family (which is hard considering everyone lives in a different state) and manage to destroy all my black and white film in an afternoon.
I shall, from this point, revert to my tried and trusted film stock and developers. Not that there is anything wrong with what I’ve just ruined. Just that I don’t want to have to spend more money learning the in’s and out’s of another stock when the current one already serves me well.
A shot from the mini world series from tha archives. This one has not seen the light of day yet.
Shot (like usual) on the way to work.
This particular shot I like because of the light on her face and the softness of the shot in general. Difficult to find in stations.
Random girl found of the street that would pose (with assistance from friends)
Sometimes you have to really hunt for these types of shots.